Polish extreme metallers BEHEMOTH entered Hertz studio in Bialystok, Poland at the end of February to begin recording their next album for a late 2013 release via Nuclear Blast in Europe and Metal Blade in North America.
A few photos from the drum-recording sessions can be seen at HertzRecording.com.
Speaking to Metal Storm last December, BEHEMOTH bassist Orion (real name: Tomasz Wróblewski) stated about the band’s plans for the new CD: “We have scheduled the studio for the end of February. If everything goes as planned, the album will be done in the summer and we plan on releasing it in the fall of 2013.”
He added: “The last recording session — I don’t even remember how many studios were involved… Like, six or seven, and lots of sound engineers as well; that’s just the way we work. This time we will probably do most of the work in Hertz Studio, but we might do some stuff in other places as well. Plus we are still talking about mixing of the album and that’s going to be probably somewhere else other than Poland.”
In an interview with Rock N Roll Industries conducted aboard Barge To Hell — the world’s most extreme metal cruise — which sailed on December 3, 2012 from Miami, Florida to Nassau, Bahamas and returned to the real world on December 7, 2012, BEHEMOTH guitarist/vocalist Adam “Nergal” Darski stated about the progress of the songwriting sessions for BEHEMOTH‘s next album: “I’m really thinking about my record. I’m dreaming my record, I’m eating my record, I’m shitting my record… I mean, everything just comes to the same thing: this artistic release that’s gonna take place in the fall next year. That’s the plan. We already made a rough plan. We should be entering the studio in late February. We’re demoing stuff now. It’s actually a rehearsal studio. So this is a thing we’ve never done before: we get into the studio, we set up the equipment, and we just play. And we record stuff. So it’s very creative. It’s new and it’s different energy, too. I mean, we still use our rehearsal room, but it’s good to change the environment. And then in January and February, we decided to move to Warsaw to work on the record. It should be very stimulating; this change of rooms and change of cities, it can be very stimulating. But we’ve got plenty of stuff written already; I’m guessing 30 or 40 minutes of music is done. But I keep on writing. I’m so hyped and I’m so into delivering new stuff. I have this thought: every time I come up with a new theme or a new song idea, I think it’s actually better than the one before. So I hope that this process stops at a certain point and I’m, like, ‘OK, over. This is it. We’re working on this bunch of songs and that’s it.’ Because this way I can go on forever.”
In an April 2012 interview with Metal Blast, Nergal offered more information about BEHEMOTH‘s mindset going into the next album. “We want to take our time and not rush ourselves in any way,” he said. “It looks like it might be the most important album in our career. I want to make the most honest record and I won’t be bending to anyone’s rules or expectations, including [BEHEMOTH‘s record labels] Metal Blade or Nuclear Blast. Every next BEHEMOTH album is a surprise and is never the same. . . We don’t want to stress ourselves because the music business and the direction it takes is not as I would like it to be. That means we will be going against the current again and just do as we will and please. Whatever we do is going to be BEHEMOTH, 100%. It is the state of our will and nobody can deny it. I can tell you that we aren’t going to come out with a reggae or country album; it’s going to be BEHEMOTH, it’s going to be extreme. But don’t be surprised if people listened to it and said, ‘Fuck, they did it. It’s so amazing.’ [laughs] That’s what I like to say when I listen to my own music. I love to surprise myself. I hate things that are predictable. I want to surprise myself and surprise other people, as well. . . Don’t get me wrong, I am a huge AC/DC fan and I expect AC/DC to be AC/DC, but don’t expect BEHEMOTH to put out another ‘The Apostasy’, ‘Demigod’ or ‘Evangelion’ album, because that will not happen.”
BEHEMOTH‘s ninth full-length studio album, “Evangelion”, sold 8,500 copies in the United States in its first week of release to debut at position No. 56 on The Billboard 200 chart. Released in the U.S. in August 2009 through Metal Blade, the CD was mixed at Miloco Studios in London, England by Colin Richardson, who has previously worked with MACHINE HEAD, SLIPKNOT, NAPALM DEATH and BULLET FOR MY VALENTINE, among many others.