Holland’s FaceCulture recently conducted an interview with vocalist Dani “Filth” Davey of British extreme metallers CRADLE OF FILTH.
CRADLE OF FILTH‘s tenth studio album, “The Manticore And Other Horrors”, will be released in North America on October 30 via Nuclear Blast Records.
The track listing for the CD is as follows:
01. The Unveiling Of O
02. The Abhorrent
03. For Your Vulgar Delectation
06. Frost On Her Pillow
07. Huge Onyx Wings Behind Despair
08. Pallid Reflection
09. Siding With The Titans
10. Succumb To This
11. Nightmares Of An Ether Drinker
12. Death, The Great Adventure (deluxe edition digipak)
13. Sinfonia (deluxe edition digipak)
A mini-site for “The Manticore And Other Horrors” has been launched, featuring album audio, information, gallery, desktop downloads, plus a chance to download the track “For Your Vulgar Delectation” for free.
Recorded in eight weeks at both Springvale and Grindstone studios (where it was also mixed by Scott Atkins), Suffolk, “The Manticore And Other Horrors” is a testament to the longevity of the ‘FILTH, as not only does it reek of CRADLE‘s (feared or revered) brand of delicious metal vamperotica, but this thoroughly modern album places the band firmly in fresh killing fields anew.
“The Manticore And Other Horrors” itself possesses an altogether new atmosphere for the band, incorporating a heavier, faster NWOBBM punk vibe that is both current and cruel, blended with ornate orchestration and the quirky immediateness of 2000’s “Midian” opus.
The album’s title can be likened to a bestiary, a collection of stories on monsters – personal demons, Chimeras, literary fiends and world-enslaving entities to blame but a few. “Manticore”, the ravening title track, is a song about a beautiful mythological horror that comes to be feared as the disfigurehead of foreign occupation in the Indian provinces.
The songs “Illicitus” and “Pallid Reflection” bear the sweet ingredients of vampirism and lycanthropy; the wicked “For Your Vulgar Delectation” and “Frost On Her Pillow” are woven perversely into grim fairy tales, whilst classic, monumental tracks like “The Abhorrent And Siding With The Titans” both extol tentacular Lovecraftian values.