BLABBERMOUTH.NET has obtained several brand new photos of former OZZY OSBOURNE and BADLANDS guitarist Jake E. Lee. Check them out below.
According to “Tales From The Stage Volume 1” author Michael Toney, Lee has set JAKE E. LEE’S RED DRAGON CARTEL as the name of his new project, obviously referencing the axeman’s Japanese roots. The group features Ronnie Mancuso (BEGGARS THIEVES) on bass and Jonas Fairley (BLACK BETTY) on drums. The lead vocalist position is almost solidified, but details are still being worked out. The only information that has thus far been provided is that he hails from Canada, and certain logistics need to be ironed out prior to a formal announcement.
In the process of recording his new album at Las Vegas’ The Hideout Studios — owned and operated by Kevin Churko (OZZY OSBOURNE, FIVE FINGER DEATH PUNCH, IN THIS MOMENT) — Lee‘s first new release will feature a combination of legendary rock artists and some of the biggest names of new metal. Already recorded are guest appearances by Robin Zander (CHEAP TRICK), Paul Di’Anno (IRON MAIDEN), Maria Brink (IN THIS MOMENT), with many other big names attached to the project.
Toney says: “The two new tracks that I have heard [from JAKE E. LEE’S RED DRAGON CARTEL] are very impressive, and are incredibly fresh sounding — but not really in the same family as [Jake‘s] work with BADLANDS or OZZY. It’s still hard rock, but perhaps a bit more melodic.”
According to the All Music Guide, Lee helped Ozzy Osbourne score two of the most commercially successful releases of the singer’s long and illustrious career — 1983’s “Bark at the Moon” and 1986’s “The Ultimate Sin”. Lee eventually joined up with another former BLACK SABBATH singer (albeit briefly), Ray Gillen, and formed the LED ZEPPELIN/classic rock-esque outfit BADLANDS. Subsequently, Lee played briefly with a band called WICKED ALLIANCE before setting off on his own, issuing his solo debut, “A Fine Pink Mist”, in August of 1996.
Jake E. Lee‘s “covers” album, “Retraced”, was released in the U.S. in April 2005 via Shrapnel Records. All the songs were recorded in a “power trio” format ala BADLANDS and the tracks for the project were cover songs along that style (bluesy power rock).