RichardThinks.Org conducted an interview with drummer Matt Byrne of Connecticut hardcore/metal masters HATEBREED on February 14 at Empire in Springfield, Virginia. You can now watch the chat below.
HATEBREED‘s new album, “The Divinity Of Purpose”, sold 17,000 copies in the United States in its first week of release to land at position No. 20 on The Billboard 200 chart.
The band’s previous, self-titled CD opened with 15,000 units back in 2009 to enter the chart at No. 37.
HATEBREED‘s “Supremacy” album premiered with around 27,000 copies in September 2006 to land at No. 31. This number was roughly in line with the first-week tally registered by its predecessor, “Rise Of Brutality”, which shifted more than 32,000 copies in November 2003 to debut at No. 30.
HATEBREED‘s covers album, entitled “For The Lions”, sold around 10,000 copies in the United States in its first week of release in May 2009 to debut at position No. 58 on The Billboard 200 chart.
“The Divinity Of Purpose” was released on January 29 in North America via Razor Tie and on January 25 in Europe through Nuclear Blast. The CD was co-produced by HATEBREED, Chris “Zeuss” Harris (SUICIDE SILENCE, ALL THAT REMAINS, SHADOWS FALL) and Josh Wilbur (LAMB OF GOD, AVENGED SEVENFOLD), with Wilbur also handling mixing duties. The cover artwork was created and illustrated by Eliran Kantor (TESTAMENT, ATHEIST, SIGH, ANACRUSIS, GWAR) and can be seen below.
Regarding the musical direction of the new HATEBREED material, singer Jamey Jasta told “Maximum Threshold”, “We did enough experimenting, I think, on the last record… A lot of people really liked that record and it did gain us a lot of new fans, but on this record, with the 10-year anniversary of [HATEBREED‘s 2002 album] ‘Perseverance’ and with Wayne [Lozinak, guitar] being back in the band — this [is] his second record with us — it’s just fun to kind of keep with the old-school influences. I hear more CRO-MAGS and KILLING TIME and SHEER TERROR and OBITUARY and BOLT THROWER and SLAYER and ENTOMBED and those kind of ’80s and ’90s influences in there. Which is fun for us, because we emulate the bands that we love. We try to make it our own sound and make it our own style, but at the end of the day, we’re just fans of those styles of bands.”
“Put It To The Torch” video:
Photo credit: Clay Patrick McBride