A four-and-a-half-minute teaser for “Antithetical”, the third full-length album from Portuguese extreme progressive metallers MALEVOLENCE, is available below below. The follow-up to 1999’s “Martyrialized” was written and produced by Carlos Cariano, recorded by Paulo Pereira at 20m2sea Studio (Portugal), and mixed and mastered at Woodshed Studio (Germany) by V. Santura (TRIPTYKON, OBSCURA, PESTILENCE).
“Antithetical” features the lineup that recorded “Martyrialized”, including core members Carlos Cariano (vocals, guitar), Aires Pereira (bass), Fred Noel (guitar), Paulo Pereira (keyboards) alongside session drummer extraordinaire Dirk Verbeuren (SOILWORK, THE DEVIN TOWNSEND PROJECT, JEFF LOOMIS).
The main theme of “Antithetical” illustrates a razor-sharp concept inspired from Ancient Greek Etymology (1580s, from Gk. Antithetikos) that reflects the diametrical opposition to a number of propositions consisting in the revelation of a divergent thought. Pertaining to “Antithetical”, the Anti (against) + Thesis (position), as a figure of speech (mainly used by the authors of the Baroque period; style of the epoch known as the art of conflict) acknowledge opposition towards the relative thesis expressed.
Commented MALEVOLENCE singer/guitarist/songwriter Carlos Cariano: “‘Antithetical’ is loaded with intoxicatingly corrosive contrasts whilst the album represents pure rebellion, a pure nonconformist extension towards the current situation of the globe, an upheaval towards the current language that has no force of expression and no meaning, due to the predictability of words and counterfeit actions that have become commonplace worldwide. Inner strength and living values nowadays are negatively base underneath relative truths and we are expressing ourselves precisely antithetically whilst insisting on critical thinking.”
A press release states: “Music and lyrics are far beyond the average practice and ‘Antithetical’ is a very unnatural progressive slab of extreme sonic amalgamation creating parallelisms to simplify extremes whilst apprehending both the positive and the negative perspectives of existence, in order to erect with the synthesis that transcends both.
“As hope is antithetical to despair, the contrasts established within the album serve in effect to give tension to the broad-spectrum body of work consisting of seven songs.
“‘Antithetical’ includes the most epic material (longest song clocking at 9:27), plus the heaviest proportional songwriting ever accomplished on the eighteenth year of existence of the collective.
“Exploring experimental yet instrumental mind bending extreme metal structures, the album is a pure heavy mammoth demonstration on extreme progressive metal territory.”
The very striking illustrative piece was produced by the design bureau Kkstructures. “By portraying the central album conceptual theme fueled by the art of conflict, Kkstructures, in straight involvement with the band, twisted an eye-catching visual parallelism dissecting the antithetical contrasts between the positive and negative extremes,” according to a press release. “Transcending the opposites by mode of individual revelation (summon insurgence) whilst erecting a differing perspective throughout exorcising thesis, the visual mind bending design brings forth in the process the social global context trivialization invoking an upheaval synthesis. The fire combustion epitomizes the universal purification (in need) as an unrelenting way of forward critical thinking.”