STONE SOUR will release its fourth album in October via Roadrunner Records. The band has yet to reveal the title of the new CD, which is being recorded at Sound Farm Studios just outside of their native Des Moines, Iowa with producer David Bottrill (TOOL, MUSE, STAIND).
“This album will be another progression for the band,” STONE SOUR guitarist Josh Rand reecenetly said. “Musically, we have always challenged one another to push things to our limits, and this record is no exception.” Rand also shared some details about the album’s lyrical and storytelling narrative, saying, “Lyrically, the album follows one character to that complex moment in his life, when he finally has to decide which path to take. It’s a spiritual and moral power play for control of what this man will be for the rest of his life. Each song will tell the story from different sides of the character’s personality, with the listener ultimately deciding how the story ends.”
STONE SOUR frontman Corey Taylor previously stated about the band’s follow-up to 2010’s “Audio Secrecy”, “I am looking forward to basically becoming a mad scientist in the studio and creating an album that no one wants us to make. I pretty much got permission to do whatever I wanted, which means that I’m essentially going against the grain in an age where people are fucking trying to simply put out singles. We’re looking to do a double concept album and really make it destructive.”
He added, “Picture [PINK FLOYD‘s] ‘The Wall’ meets [ALICE IN CHAINS‘] ‘Dirt’ on steroids, and that will give you a taste of what I’m shooting for right now. The stuff we have right now is nuclear. It’s pretty much going to go all the way. It’s dark as shit. There’s so much balls out rock on it as well as some good headpunchers and some really cool fucking dark pieces. I’m really excited about it.”
Taylor — who is also the frontman for SLIPKNOT — said about the storyline for the next STONE SOUR record, “It’s basically the story of a man who’s trying to figure it out. He can’t figure out if he’s happier when he’s miserable, or if he’s miserable about not being happy. It’s almost like a mid-life crisis in a way. He’s young enough that he knows that there’s still a lot of life to live, but he’s old enough to realize that he can’t be hung up on the romance of teenage depression and youthful aggression.”