“The Migration”, the new album from progressive instrumentalists SCALE THE SUMMIT, will be released in North America on June 11 via Prosthetic Records. Recorded earlier this year at North Carolina’s Basement Studios with producer Jamie King (BETWEEN THE BURIED AND ME, HE IS LEGEND, FOR TODAY), the CD will feature cover artwork by illustrator Duncan Storr (HAWKWIND, EDGE OF SANITY).
“The Migration” track listing:
02. Atlas Novus
03. The Olive Tree
04. Narrow Salient
07. The Dark Horse
10. The Traveler
A six-minute teaser for “The Migration” featuring snippets of all the tracks that are set to appear on the CD is available below.
“The Migration” marks the recording debut of new SCALE THE SUMMIT bassist Mark Michell. The album will be released just days after SCALE THE SUMMIT hits the road with INTRONAUT on a summer North American tour.
SCALE THE SUMMIT‘s 2011 effort, “The Collective”, saw the band tour alongside the likes of PERIPHERY, CYNIC, FAIR TO MIDLAND, THE CONTORTIONIST, THE HUMAN ABSTRACT, PROTEST THE HERO and TRIOSCAPES. Since that album’s touring cycle ended late last year, the band has kept busy, with guitarist Chris Letchford launching his own signature series Strandberg guitar and bassist Mark Michell releasing an instructional book.
SCALE THE SUMMIT‘s third album, “The Collective”, sold around 1,000 copies in the United States in its first week of release. The CD landed at position No. 39 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.
The follow-up to 2009’s “Carving Desert Canyons”, “The Collective” was recorded at Paint It Black Studios in Orlando, Florida with producer Mark Lewis (DEVILDRIVER, ALL THAT REMAINS, THE BLACK DAHLIA MURDER).
SCALE THE SUMMIT formed in 2005 while attending the Musicians Institute in Los Angeles. The band relocated to Texas in 2006, where they recorded their first, self-released album. After signing with Prosthetic, they issued “Carving Desert Canyons”, which Revolver called “a cinematic blast of intricately melodic fretwork and pummeling percussion,” in 2009.