SEPULTURA: Video Message From North American Tour

A one-and-a-half-minute video message from SEPULTURA guitarist Andreas Kisser regarding the band’s current North American headlining tour can be seen below.

SEPULTURA will release its new album, “Kairos” (an ancient Greek word signifying a time in between, a moment of undetermined period of time in which something special happens) on June 24 in Europe and July 12 in North America via Nuclear Blast Records. The artwork for the CD was created by Erich Sayers, a Los Angeles-based freelance digital artist and photographer whom SEPULTURA first met at the band’s recent concert at the House Of Blues in West Hollywood, California.

SEPULTURA‘s new CD was recorded at Trama Studios in São Paulo, Brazil with producer Roy Z. (JUDAS PRIEST, HALFORD, BRUCE DICKINSON, HELLOWEEN). 13 tracks were laid down during the sessions, including cover versions of MINISTRY‘s “Just One Fix” and THE PRODIGY‘s “Firestarter”.

In a recent interview with BLABBERMOUTH.NET, Kisser was asked how the band came up with the “Kairos” title. “The whole theme of the album is the concept of the time, and the title reflects that — it’s like one concept of time which is not chronological, from one to two; it’s like a an instant in time, it’s a special time of change,” he replied, before adding, “Everyone’s life is written by [their] choices — you have many ‘kairos’ moments, like if you go [from] point A [to point] B [to point] C, you are driven by your choices or your guidance; you have to go either one way or the other. And that’s the kind of time we talked about — not about aging or getting old or going back [in time]; it’s just [about those important] moments that can change everything. . .We thought about [that in regards to] SEPULTURA itself — 26 years of history and the moment where we are now; why we’re here; why we’re doing this album and why we have what we have; the changes we have inside and outside the band. It’s a collection of ‘kairos’ [moments] that [got us] here. It’s being inspired by our own biography, but mostly [focusing] on what SEPULTURA is today.”

 

 

 

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