STONE SOUR is offering a snippet of the song “My Name Is Allen” from the band’s upcoming fourth album, “House of Gold Bones – Part 1”, at HouseOfGoldAndBones.com in exchange for a “share” on Facebook or Twitter.
“House Of Gold And Bones” is a two-part concept effort that was recorded at Sound Farm Studios outside the band’s home base in Iowa. Singer Corey Taylor has played one of the songs that will be featured on the CD, “Taciturn”, acoustically at some of the recent festival appearances and fans seem to embrace the change.
Taylor said, “That song translates so well acoustically. When I wrote ‘Taciturn’, I knew it was something that could go either way. It could be a full band piece or it could be something I could play on my own. If I was going to give the people a first taste of what ‘House Of Gold And Bones’ parts 1 and 2 are going to be, ‘Taciturn’ is a nice way to give them a cool picture of it even in a stripped-down sense. That song is essentially about trust. It’s about trying to find the courage to open up to the people you care about, love, and value, knowing that they’re going to be there to catch you when it all comes down. They’re going to be there for you when nobody else is. It’s about letting go of the anchors that hold you down in life, opening yourself up and saying, ‘If you’re there for me, I’ll be there for you. You’ve just got to give me a second’.”
As previously reported, SKID ROW‘s Rachel Bolan laid down the bass tracks for the new STONE SOUR CD. He has described the material on the record as “fucking fierce.”
Taylor recently told Revolver magazine about STONE SOUR‘s forthcoming album, “Picture [PINK FLOYD‘s] ‘The Wall’ crossed with ALICE IN CHAINS‘ ‘Dirt’ with some good heavy blasts in there,” Corey said. “The heaviest song is a total ass-kicker that sounds as if SLAYER and ANTHRAX had a baby. Then, there’s a darker bluesy dirge that has the vibe of LED ZEPPELIN‘s ‘In My Time Of Dying’. There’s even a little industrial vibe. It’s definitely going to blow people’s fucking minds.
Taylor added that he came up with a very ambitious concept for the disc.
“The album is a morality play about a man who’s standing at the crossroads of his life trying to figure out what to do next,” he said. “He’s going, ‘Do I move foward and evolve? Do I become more responsible or do I run backwards and pilfer the basket of youth?’ Sometimes it’s romantic to live in the mistakes that you made when you were 20, and condemn yourself to perpetual adolescence.”
Guitarist Josh Rand recently said that the CD will be “another progression for the band,” adding. “Musically, we have always challenged one another to push things to our limits, and this record is no exception.”