New Jersey-based “mathcore” act THE DILLINGER ESCAPE PLAN last fall entered the studio with producer Steve Evetts (EVERY TIME I DIE, POISON THE WELL, SUICIDE SILENCE, SEPULTURA) to begin recording its new album for a spring release through the group’s own imprint Party Smasher Inc. via a deal with Sumerian Records.
Speaking to AOL‘s Noisecreep, THE DILLINGER ESCAPE PLAN vocalist Greg Puciato stated about the recording process for the band’s forthcoming CD: “We’re about three weeks behind! [laughs] Every time we get into the studio we think we’re going to be faster. Maybe it’s because we’re getting older and we think that this time we have our shit together and we know the songs inside and out. And then once we get in and we start going down every little path of possible creativity you can imagine. ‘Let’s try this microphone.’ ‘Let’s try this amp.’ I’m like, ‘I want to change these lyrics.’ And then Ben [Weinman, guitar] is like, ‘I want to change this guitar part.’ And wait a sec, ‘The drums aren’t like they are on the demo. My lyrics don’t line up now!’ We’re all extremely ADD-ish – producer included, which tends to cause us to make things take forever. Even still, everything is going to come out relatively on time — we’re going to make an April or May release, it looks like.”
He added: “DILLINGER is a different beast in tracking than most normal bands. Even Steve [Evetts, producer] has told me that there’s no other band that he has recorded that requires this amount of attention to detail. We take a longer amount of time to do one thing than most bands take to do ten. At this point, talking to Ben about it, we only do this once every three years on average so ten years from now I don’t want to look back and think, ‘Fuck man, we should have finished that one three weeks earlier!’ Who cares? You want it to be right and you want it to be the thing that was the closest to what your vision actually was.”
Regarding the direction of the new THE DILLINGER ESCAPE PLAN material, Puciato said: “I can hear [the influence of old punk and hardcore records] a lot. I can definitely hear that in some of the riffs, which are really aggressive. It’s not a blatant hardcore record or anything like that. I actually think this is the most all over the place and weirdest record we’ve ever written. It’s the first one since I joined the band where Ben has sent me songs and I’ve been like, ‘What the fuck is happening? This sounds like a beehive!'”