“One Of Us Is The Killer”, the fifth full-length album from the New Jersey-based “mathcore” act THE DILLINGER ESCAPE PLAN, sold around 15,000 copies in the United States in its first week of release to debut at position No. 25 on The Billboard 200 chart. The CD was released on May 14 through the band’s own Party Smasher Inc., in partnership with Sumerian Records in North America. Party Smasher‘s partnership with BMG covers the rest of the world, including licensing deals with Grind House for Japan and Remote Control in Australia.
THE DILLINGER ESCAPE PLAN‘ 2010 CD, “Option Paralysis”, opened with around 7,100 units to land at No. 78. This was roughly in line with the opening tally of the band’sprevious album, “Ire Works”, which landed at No. 142 on the Billboard chart after premiering with 6,900 units back in November 2007.
“One Of Us Is The Killer” was recorded in Southern California with longtime producer Steve Evetts (GLASSJAW, THE CURE, SUICIDE SILENCE), with additional production at guitarist/co-founder Ben Weinman‘s studio. Mastering was handled by Tom Baker (DEFTONES, NINE INCH NAILS, BEASTIE BOYS).
The album represents a new holistic pinnacle of the band’s constantly evolving and engaging dynamics.
Speaking to AOL‘s Noisecreep, singer Greg Puciato stated about the recording process for the band’s forthcoming CD: “DILLINGER is a different beast in tracking than most normal bands. Even Steve has told me that there’s no other band that he has recorded that requires this amount of attention to detail. We take a longer amount of time to do one thing than most bands take to do ten. At this point, talking to Ben about it, we only do this once every three years on average so ten years from now I don’t want to look back and think, ‘Fuck man, we should have finished that one three weeks earlier!’ Who cares? You want it to be right and you want it to be the thing that was the closest to what your vision actually was.”
Regarding the direction of the new THE DILLINGER ESCAPE PLAN material, Puciato said: “I can hear [the influence of old punk and hardcore records] a lot. I can definitely hear that in some of the riffs, which are really aggressive. It’s not a blatant hardcore record or anything like that. I actually think this is the most all over the place and weirdest record we’ve ever written. It’s the first one since I joined the band where Ben has sent me songs and I’ve been like, ‘What the fuck is happening? This sounds like a beehive!'”
“Prancer” lyric video:
“When I Lost My Bet” video: